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rewrite my essay
DomeLab
Um
interstitial
Hi dome-labbers. No doubt I’ll have more to say shortly, but I wanted to jot a little firstly while I sit here in some interstitial time-space having done the preliminary comb-through of the email jungle that I knew would await me upon my return.
Firstly, Vicki and tutor team, I want to express again my immense thanks to you for this experience. Really powerful business. Secondly, to my fellow participants, it was great to meet you and work alongside you on this thing. And thirdly, to my team members, Donna, Paul, Teresa, Yvette and Lyndi, thanks so much for being a rockin team, it was a great pleasure to work with you and put our heads together. It’s kind of hard waking up this morning and NOT getting on a bus to go shoot more mad 180 degree views of people tied up and wrapped in plastic…
So what does it all mean?
There are a lot of levels on which this workshop has worked for me. Firstly, to be exposed to the necessity of framing absurdly is a powerful thing, actually! To frame as close to the bottom as possible, and to KEEP doing it, again and again, is an oddly difficult thing! This is one of the aspects of my ‘smashing cinema against the dome’ comment; it is this ongoing abuttment of all that we know in terms of traditional a/v, against this Other form with its own very specific aesthetics and requirements.
And so coupled with the aesthetic questions, are questions of spectatorship, that other stalwart of cinema theory. I don’t often write facebook updates (like once a year), but oddly, this workshop has driven me to send out a bunch of them as some way of exporting the thoughts that have arisen during the time. The last one I sent I do want to share: “The dome is cracked right open; we must destroy the spectator.” Think I wrote it Thursday night round midnight as I sat there looking at rushes of our poor student actor trussed and panicking under black plastic and a strobe light (what were we thinking?!). I was trying to get at this really powerful sense of how a Dome orientation shifts the spectator, releases them from this mastery of being a single, fixed point in space that regards everything with equanimity and distance, and, in deed, refuses it. Expanded cinema has always had this goal in some way, but the viagra uk next day delivery. Dome experience definitely has a singular way of producing it, and, as Hue noted early on in her talk, it’s deeply phenomenological, it takes the traditional ways in which cinema speaks to the body, and adds in this powerful sense of movement…
Well, I could go on now, so I”m gonna stop there. Thankyou all, again, for the experience.
thanks!
Well. That about surpassed the best wrap I’ve been to.. What a mebendazole commercial canada. great night.. albeit a somewhat pained morning after!
V
Communities
Some details on fulldome user communities.
There is a yahoo group called “small_planetarium“, concentrating on smaller domes, mostly individual enthusiasts, hobbiest, and small science centres.
http://tech.groups.yahoo.com/group/small_planetarium/
There is also “fulldome“, also a yahoo group. In general higher level discussions.
http://groups.yahoo.com/group/fulldome/
There is also a DomePro yahoo group but pretty much dead.
The APS (Australasian Planetarium Society) has a google group
http://groups.google.com/group/australasian-planetarium-society
It cialis 20mg from pakistan. is only open to those who own a dome … if you do let me know and I’ll arrange an invitation.
participants’ photos and statements (so far)
I have uploaded photos of all participants I could catch up with (some can run a lot faster than me… but I’m tenacious!…;-)
I have also included their first impressions as “descriptions” on their photos, with hopes that all will continue to participate in the ANAT domelab2010 blog site and continue to discuss the experience and discoveries in the coming weeks as the exhaustion wears viagra on line purchase. off and the realizations and memories have time to perc.
spontaneous endthoughts on domelab
a dynamic, competitive, anarchic process
required deprogramming of normal working processes and rewiring of screen-in-brain
was nice to work in groups with good dynamics
interesting examples and workshops but maybe too diverse in relation to final project… OR …too much emphasis on final project relative to other condolences for loss of pet. bits
lotsa fun and freakouts and action etc etc etc
Power to the Production
The weather might have cooled but things are hotting up at Dome Lab.
Last night the participants had the opportunity to immerse themselves in a ‘GeoDome’ – an inflatable 8 meter theatre … it was clear that we were all impressed and although tired, each team was keen to get on with their respective projects … and so to the last day:
The atmosphere is reminiscent of a full-blown post-production office – one huge edit suite full of very busy bees – most of whom are order propecia for hair loss. starting to suffer from a condition known as ‘squareness’ – and I don’t mean being boring, or over studious – but from staring at their screens for too long … such is the lot, perhaps, of editing within a frame.
I’ve had the luxury to wander from team to team and sneak a preview or two and can report that there are some very interesting productions under way and I know that on reflection, we will all be surprised at the quality of each one in terms of how far we have all come from just five days ago, as most of us had not previously worked in a ‘frameless’ production environment.
The lab has been a fantastic insight into the possibilities of immersive cinema … with an eclectic mix of participants and tutors and sandwiches (not to mention the groovy sounds played in the bus each day) and I know that I’m not speaking for myself when I say that we are all hugely thankful for the opportunity.
I had wanted to use my knowledge to make immersive wildlife films but I now know that my future lies in a different genre; that of horror, slasher movies … perhaps with a natural history element thrown in. That has been the great thing about this lab – the mix of people and skills has been enlightening and educational and has shown us the possibilities of this exciting visual medium.
Bring on the bunnies. Oh, and pass that chainsaw will you …
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GeoDome at DomeLab
Yesterday Paul Bourke and I set up a buy lisinopril without prescription. GeoDome at the Lab. This is a large inflatable dome, quite different in nature to conventional positive internal pressure domes, as it uses an inflated double skin for structural support – allowing an open entrance for the audience.
Here’s a few shots:
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- Rear View
- Entrance
- Audience View
- Barrier Reef by Karen Haines
- West Coast Tasmania by Peter Morse
- Paul Bourke setting up using a Mac Laptop
what a great group!
Just want to say what a great group of folks we have here! All doing their best to co-op, share, do their best, get it done and done well… a bunch of pros and good folk as well… I’ve truly enjoyed working with them all! Participants, presenters, tutors and the lovely ANAT folk all!
Finding all teams willing to push the “rules” and dance around the “edges”, cialis co pay. question the parameters in intelligent and effective ways…. there have been several very interesting uses of close-ups, experiments with timing, explorations of various Ai??angles and environments…
I am very much looking forward to their final screening, as well as hearing from the participants on what they discovered in their week’s work.
New photos have been posted on both the ANAT and the ARTS Lab flickr sites… search domelab2010…
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Fulldome Compendium
If you’re interested in a listing of fulldome theaters around the world, check out Loch Ness Productions’ Fulldome Compendium. It isn’t perfect, but it’s the best we’ve got.
http://www.lochnessproductions.com/lfco/lfco.html buy 50mg viagra in austrailia.







