in Perth. Trying to stay awake for a reasonable period. First order of business was learning to say “skinny flat white” so I can access my drug of choice. …;-) a little caffein and a walkaround with Vicki and Bradley to find some dinner should keep us awake for awhile. Looking forward to a good week with you all! can you order first.
DomeLab
From Idaho to Perth…
I’m looking forward to meeting and working with everyone at DomeLab 2010. What an accomplished talented group! It will be a week of 31 directors, no waiting. We’ve just had an early Fall dusting of snow here in the northwestern United States and I’m packing for a sunny Spring in Perth. 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https://www.youtube.com/watch?v=QiZb877MwDI
Gearing up for Dome Lab 2010
Thought I’d drop a brief note for everyone.
I’m currently working at the WASP@iVEC UWA on a new fulldome movie about Dark Matter, with Paul Bourke (WASP), Alan Duffy and Carley Tillett . This’ll be a mixture of live action fulldome video and visualisations of computational astrophysical models – some pretty amazing stuff. Anyway, the point relevant to DomeLab is that we’re shooting some content with the LadyBug 360A? camera and sorting out audio production issues for live action- which are quite challenging for a Dome environment.
This is an aspect I would very much like to draw people’s attention to during the lab, as in my experience, audio is often the most overlooked part of film/video production. Good audio can make even bad video look good (or OK…at least!) – and needs to be given some serious consideration before and during production. This is particularly the case with live action, given that the LadyBug camera doesn’t record an audio stream. Audio must be recorded separately and synched in post – a bit like the old days of Nagras and 16mm. This is particularly an issue for lip synch, so people should be aware of this.
We’re also lucky to have access to a couple of 5.1 surround mix environments: this is a technically sophisticated process that raises all sorts of interesting possibilities for the development of the sonic environment in the dome e 20 tadalifil. – audio, music, foley and its relationship with visual cues. In preparation for the lab attendees might want to consider bringing some audio material (eg. aiff, wav files) on hard drives with them – particularly if they want music for a mix for their particular project. After all there’s often nothing worse than library music – and this will affect the whole mood of your production. Naturally, it is imperative that you have copyright permissions (or waivers) to audio files that you choose to use. Give it some thought.
Look forward to seeing you next week.
Pleasant days ahead!
Looking better every day!
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Sunday Sunny. Min 11 Max 28 Monday Sunny. Min 13 Max 31 Tuesday Sunny. Min 14 Max 33 Wednesday Sunny. Min 16 Max 35
Twitter hashtag for Lab
We have created a twitter hashtag #domelab2010 for any tweets leading up to, during or after the lab. Please use this tag when tweeting any Dome Lab content. Thanks, Vicki
Welcome to Dome Lab 2010
Hello everyone!
This blog is a shared space for participants, buy sexual viagral pill in singapore. tutorsAi??and program partners to document progress and findings – before, during and after the Lab.
Please feel free to post your ideas, questions, comments, suggestions or links here!
I will shortly be uploading the Lab schedule in the resources section. Until then, please have a read of Ben’s ground-breaking article, ‘Exploding the Frame’ – it provides an excellent introduction to fulldome and its peculiar challenges and potentials.
I’m very much looking forward to meeting and working with you all over the coming weeks…
Vicki